Did you write while you were on the move in Russia, or in retrospect?
Chris: We wrote the book six months after we returned to England. We had both made notes during the month we spent crossing this enormous country, but we only put pen to paper after experiencing that familiar need to share our experience with our family and friends.
Could you give me some insight into the process of writing your book, particularly considering the dual-author aspect?
Simon: The process of jointly writing our first book ‘Living the Linger’ was incredibly painful. We’d agreed to write about our journey during the closing weeks of our trip, and felt that by combining forces we might be able to add depth to our shared experience. We sat side-by-side for weeks debating our writing styles, and trying to figure out the logistics of telling a story together. We eventually found ourselves writing in present tense, and taking turns narrating each scene as it occurred. Editing each others work, we were forced to be excruciatingly honest. We argued and screamed and shouted and re-wrote and re-wrote until we eventually had the first draft of a book. Writing the sequel was slightly easier. We had the format, our very own secret formula.
Who do you consider your main audience to be - people who are interested in Russia, people who are interested in you, those who like adventure travel etc?
Chris: I think the people who tend to buy our Russia books, are usually interested in Russia as a destination or historically. This isn’t always good, as our work isn’t a travel guide or a journey into the history of this fascinating country. Our goal was always to write about how a journey feels. If I were to describe the person who I thought might most enjoy our work, it would be someone who loves to read about adventure, and who is curious to know about the realities of travel and the people and situations that can occur along the way.
When writing, how much do you try to include yourself in what is happening in the plot, and how much do you try to make it as objective as possible? Do you consider how your presence throughout the book may contribute to/ interrupt the experience of the readers?
Simon: We write about events that are taking place. When you embark on a journey of this nature, in the beginning, you tend to try and control what is happening, but after a few days you begin to realise that you are not in control. Travel is unpredictable. You have highs and you have lows. Terrible things can happen, like being robbed, or the car breaking down in the middle of nowhere and, then, in an instant, something amazing happens. A mechanic invites you to sleep in his workshop, he feeds you borsch (beetroot soup) and fixes your car for free. A policeman fines you for a traffic offense, and then buys you a coffee and a hot dog with the money. Each individual’s journey and experience travelling the same route might be different, but the outcome will nearly always be the same. Good things and bad things can and will happen, but the act of travel can give you great faith in humanity.
Have you ever lied in your writing, to make your story more interesting or to give the reader something they might be expecting?
Simon: By working closely together we’ve been forced to be truthful. All the events in our books have happened, and the people and situations are very real. We have left certain events out that are repetitious, for example an exhaust problem happening twice, a second drunk man approaching begging for money, but in general we try to stay as closely to the chain of events as possible. In order not to send the reader to sleep, at moments where not much happened, we have manipulated the timeline and closed some gaps, leaving out the minor details.
Is there anything from your experience that you didn’t include in your account because it didn’t contribute to the overall image of Russia you wanted to offer?
Chris: We see it as our job to express what it feels like for two fairly ordinary guys to travel in a foreign place. It would seem very wrong, and a waste of great material to leave out the important elements that describe the essence of a people and place.
Do you have any regrets about things you didn’t do during your trip to Russia that make you want to go back and re-visit the country?
Simon: It’s impossible to see and experience everything that a country the size of Russia has to offer during one trip. For us, our journey in 2003 had been about crossing a new frontier and meeting the Russian people who lived along one of the longest railway lines in the world. Research for our fourth book led us to return to Russia again to visit the ancient archaeological sites around the Black Sea. In this fascinating country steeped in history, wilderness, indigenous culture and booming urban growth, it would take a lifetime to see everything.
Through your experience and writing, did you set out to dispel myths about Russia or to strengthen any stereotypes you were aware of?
Simon: We embarked on our journey to Russia with open minds. I remember being surprised that some of the Russian stereotypes that were reflected in fictional movies and books about Russia were sometimes true. The staff working in hotels and behind the counter of fuel stations could be direct in their manner. They were clearly uncomfortable dealing with foreigners and were at times hostile and impatient. The further we travelled away from the larger cities of European Russia, and entered the smaller communities of Russia and Siberia our perception quickly changed. The local people were incredibly friendly. They offered us food and made us feel very welcome indeed. By the time we reached Vladivostok, we had a collection of gifts people had given to us during our journey including, a police man’s hat and tie pin, half a bottle of Vodka, a Russian bible, a packet of London cigarettes, three banana flavoured condoms and a Russian rock music tape. We didn’t set out to dispel myths about Russia, but we have learnt over the years that the majority of people everywhere in the world are honest and kind.
Do you consider yourselves as being in a position of responsibility in portraying Russia to those who have never been?
Chris: I think it’s important to remember that you are an ambassador of your country when travelling abroad, and can play an active role in the exchange of culture. We’ve always done our very best to get to the heart of a place, and desperately want to share what we often know to be true. People everywhere share the same basic human needs, and I don’t think either of us will ever grow tired of witnessing the beauty of peoples instinct to feed the weary traveller or offer a helping hand to those in distress.
What can you glean from your experience about where Russia is going in the future? If you were to go back to Russia in 20 years’ time, what do you think you might be writing?
Simon: In 2003 Russia was in the process of modernisation. Driving the Trans-Siberian across Russia we witnessed the last of the old communist Lada’s, which were replaced the further east we drove by brand new SUV’s and saloon cars that were being imported from Japan. We would stumble across impressive cities deep in Siberia with a population of a million people that were heavily under construction. Russia was clearly on the move, and I often wondered what effect it might have on the remote villages we past through deep in the Siberian taiga that were locked away in time. Weaving through river canyons across the notorious Zilov Gap, and passing below hundreds of concrete pillars belonging to flyovers that were under construction, we witnessed the development of a highway that would link Europe with Asia. It was clear even then that exciting times were ahead. To return to Russia in twenty years time, would be to visit a booming modern country. Tall glass buildings covered in solar panels will undoubtedly reach into the clouds, and super fast energy efficient trains will glide silently into grand old railway stations. Maybe Chris and I will return there, to see this with our own eyes, and to go in search of the people of the world who we meet everywhere, regardless of borders, who make us feel at home where ever we go.
Join the Raven brothers on four epic overland adventures across the USA, Russia, Black Sea and South America!
by The Raven Brothers
Hike, Drive, Stayin' Alive!by The Raven Brothers
On Amazon >
Out of shape and unprepared, The Raven Brothers return to the road in a collection of ten quests to travel to their dream destinations against all odds! After two decades pioneering new routes across the globe, you would expect the authors of 'Driving the Trans-Siberian' to be hotshot explorers, with a sixth sense and an ability to survive in almost any situation. Think again! With virtually zero knowledge of the workings of the internal combustion engine and very limited skills of wilderness survival, Simon and Chris struggle into their hiking boots and power across three continents by river, tarmac and trail.
Venture to the top of Norway, cruise the road to Damascus, hike the Camino trail into Spain’s Wild West, row the Ganges, explore Frida Kahlo’s world in Mexico City, hangout with the dead in Sicily’s eerie catacombs, crawl deep inside Bolivia’s notorious silver mine, seek lions in Gujarat, wellness in Berlin and journey into the Naga Hills where tribal kings still rule.
Noted by Lonely Planet for their talent to portray an “accurate view of what to expect”, 'Hike, Drive, Stayin’ Alive!' signals a return to the duo writing “buttock clenching” travel comedy with the first in a series of candid stories of adventure by The Raven Brothers.